John Dee's "Tuba Veneris"...

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Was the "Consecrated Little Book of Black Venus" really written by John Dee? I first saw this several years back, when I stumbled upon Joseph Peterson's transcription of it on the Esoteric Archives website.

The link with Dee seemed (and still seems) to me to be spurious: even though he is mentioned right at the start of the text, for me the language, the drawings, the style, the thinking, in fact all of it fails to please as a match. But then again, the earliest copy (held by our old friend the Warburg Institute, MS FBH 51) is apparently 16th century, so would have been written while Dee was still alive. It's a nice little mystery, I thought, though one which at the time I assumed few had any interest in.

However, I recently found a paper online by occasional Voynich mailing list member Teresa Burns published in the Journal of the Western Mystery Tradition (No. 12, Vol. 2. Vernal Equinox 2007), called "The Little Book of Black Venus and the Three-Fold Transformationof Hermetic Astrology". This fascinating little piece takes the reader on a journey around Dee's conceptual world and how it might link in with the Tuba Veneris, all the way to a suggested link with the "Familists", the Family of Love, and from there to an underground Dark Goddess movement.

There's also an Appendix by Phil Legard, which provides a different (but resonantly similar) angle. Nicely, he discusses whether the invocations might be Trithemian-style steganography (Legard thinks not, but it's good that this has been explored).

In the same issue, Terri and Nancy Burns also put forward a parallel translation of the Tuba Veneris - this is probably the place most people coming to it for the first time should start.

The next issue's follow-up piece (by Vincent Bridges and Teresa Burns) is also online, called "The Little Book of Black Venus – Part Two Olympic Spirits, the Cult of the Dark Goddess, and the Seal of Ameth". This tries to link the Tuba Veneris with Dee's early book-buying expedition in Italy, and (though not so successfully, I have to say) with the benendanti of Northern Italy, which you may possibly have heard of in connection with Carlo Ginzburg's fascinating book "The Night Battles".

Finally, there's a beautiful hand-crafted modern edition of the Tuba Veneris mentioned here (apparently based on the same set of articles) though its price of $189 may possibly be just a tad more than many people would spend on books in a year.

My opinion? Having absorbed all these articles, I'm now far more comfortable than I was before with the notion that the Tuba Veneris might well actually be by John Dee - it is dated 1580, which was before the whole Edward Kelley / angelic conversation farrago started kicking off, and placed in London. Yet I'm not taken by the Dark Goddess connection: though I appreciate the possibility, that's a whole step further than I can take (for the moment, at least). Ultimately, I suspect that the Tuba Veneris will turn out to be in a very loose Trithemian-style steganographic cipher, perhaps for carrying a Familist message around Europe.

Hmmm... perhaps (pace Koestler & Owen Gingerich) someone will end up writing a book on it called "The Spell Nobody Cast"? Just a thought...

"The Alchemy Guild"...

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Alchemy arguably dates back to Alexandria, and there are many alchemical manuscripts dating through to the 13th and 14th century (though Lynn Thorndike noted that the 15th century was something of a fallow period). However, the modern organization The International Alchemy Guild traces its practical roots back to what was going in 16th century Bohemia, specifically with the work of Wilhelm von Rosenberg (their spelling) in Cesky Krumlov.

The Guild has put together a nice little historical piece on their website linking a lot of the famous alchemical names of the time to this specific milieu (though doubtless Voynich historian Rafal Prinke would view it as a somewhat simplistic rendering): so you'll see Rudolph II, Hajek, Dee, Kelly, Horcicky, etc all passing by in quick succession... Enjoy!

Czech Voynich theory...

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My fellow Voynich old-timer Jan Hurych has long been interested in various Prague-linked research strands: after all, Prague was home to the first three properly-documented owners of the Voynich Manuscript (Sinapius, Georg Baresch, and Johannes Marcus Marci), as well as its most illustrious claimed owner (Holy Roman Emperor Rudolph II).

It is certainly true that Rudolph's interests and obsessions acted as a powerful magnet to draw wonders from all over Europe to his court. Yet given that the claimed link with John Dee and Edward Kelley is gossamer-thin, it is no less sensible to wonder whether the VMs had been brought to Prague by someone from the town: perhaps someone well-travelled?

I mentioned Rudolph II's manuscript-collecting astronomer / astrologer / herbalist / physician Tadeás Hájek here recently (who studied in Italy), but Jan Hurych regales me with tales of several others: for one, Hájek's father (Simon Baccalareus) studied alchemy and collected manuscripts... though what happened to his library after his death is not currently known.

Jan has put together a nice page on one of his favourite Renaissance Czech travelling knights, Krystof Harant de Polzic and Bezdruzic, and his travels from Venice to Crete to Cyprus to the Holy Land to Egypt (etc). But I have to say that if a writer had picked up an intriguing cipher manuscript on their travels, it would be one of the first things they would write about: yet there is no mention. So we can probably rule Harant out, sorry Jan. :-(

But Jan brings up a rather more full-on Czech Voynich theory, courtesy of Karel Dudek's Czech webpage (though I used Google Translate, Dudek also put up his own English translation here). Dudek discusses Georg Handsch of Limuz (1529-1578), whose 1563 German translation of Matthioli's Latin herbal came out a year after Tadeás Hájek's Czech translation (it even used the same nice woodcuts!) Like Hájek, Handsch was a physician living in Prague, but whose main client was instead Ferdinand II Tyrolský (1529-1595) and his wealthy wife Filipina Welserová (1527-1580).

Dudek got his information from Leopold Selfender's "Handsch Georg von Limuz - Lebensbild a Arztes aus dem XVI.Jahrenhunderts": but after a bit of a false start (linking Handsch directly to Baresch, which I doubt would convince anyone), he proposes a possible chain of ownership from Handsch -> Welserová -> Ferdinand II Tyrolský -> Rudolph II -> Horcicky (Sinapius), before Horcicky's estate got looted in the chaos of 1618 and the manuscript somehow ended up with Baresch (with the signature erased).

OK... but why Handsch? Dudek points to the VMs' botany, and Handsch's translation of Matthioli's herbal (though I'd have to say that Hájek fits that bill even better). Dudek also discusses a book by Handsch based on his trips to visit medicinal baths and spas in 1571 called "Die Elbfischerei in Bohmen und Meissen" (eventually published in Prague in 1933), and sees parallels with the VMs' water section there.

But Dudek gets even more speculative, talking about whether Bartoloměj Welser was financed by Charles V to undertake a (possibly Lutheran?) mission to South America, and drew pictures inspired by exotic plants he saw beside the Orinoco (hey, I thought he was a Womble?)

It's a good story, but a little lacking in connection to the VMs: and doesn't really explain why we see (for example) 15th century handwriting in the quire numbers, or even the Occitan-like month names on the zodiac, etc. Perhaps we should really admit that looking for an origin for the VMs in Prague may be a little too hopeful, not dissimilar to the way 19th century German historians' looked to see if Nicholas of Cusa might secretly have been some kind of Teutonic Leonardo. Nice try... but no cigar.

Tadeáš Hájek z Hájku (& the Voynich Ms)...?

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Here's a little piece of Voynichiana pinging on the edges of the VMs research radar, concerning Tadeáš Hájek z Hájku (1525-1600), who I thought had not to date been speculatively linked with the VMs. It came from the text accompanying the "Earth and Sky: Astronomy and Geography at the University between the 15th and the 18th centuries" exhibition at the Eötvös Loránd University in Budapest in 2005, but also (mostly) reappears in the Wikipedia page. (Which came first? I don't know!)

Why flag Hájek at all? Jan Hurych once put up a page on him on his Hurontaria site, but (I thought) only as a piece of background research data. It's true that as personal physician to Maximilian I (in Vienna) and to Rudolph II (mainly in Prague), Hájek would have vetted or commented on anything alchemical, astronomical, astrological or medical entering the Imperial Court prior to 1600. But might there be more to it?

"In 1554 he studied medicine in Bologna and went to Milan the same year to listen to lectures by Girolamo Cardano, but he soon returned to Prague, where he became a professor of mathematics at the Charles University of Prague in 1555."

If (as I do) you see a Northern Italian art history link in the VMs' drawings, then Hájek's Prague-Bologna-Milan-Prague travels probably jumps out at you too: so, please go on...

"Hájek was in frequent scientific correspondence with the recognized astronomer Tycho and played an important role in persuading Rudolph II to invite Brahe (and later Kepler) to Prague. His voluminous writings in Latin were mostly concerned with astronomy and many regarded him as the greatest astronomer of his time."

In the words of the Joker, "I like him already". But, errrrm, what about the VMs, then?

"[...]Hájek eagerly collected manuscripts, especially those by Copernicus, and may have been the one to convince Rudolph II to procure the infamous Voynich manuscript. [...] Throughout his life he also published numerous astrological prognostics in Czech and that is why he was until recently viewed as an „occultist” rather than a great scientist."

I think we can safely say that, apart from the absence of any actual evidence, Hájek is a great candidate manuscript carrier to add to the Voynich story, far better than Dee and Kelley. And what would make it even more poignant is that the pair of them visited Hájek's house in Prague, which was (according to a fascinating 1999 post on levity.com by Michael Pober) "'by Bethlem', first mentioned in "A True and Faithful Relation' p. 212, Prague 1584, 15th August."

Might Hájek have owned the VMs, perhaps buying it during his time in Italy? It would be interesting to see his handwriting and marginalia commentary style, just in case there's some kind of unexpected link between that and what we see in the VMs. I've asked Jan Hurych, but he hasn't examined Hájek's handwriting: so I'll have to pursue this with the Czech libraries myself (more on that soon).

Given that Hájek translated Matthioli's famous herbal into Czech, it is certainly interesting that the marginalia at the top of f17r appears to have been miscorrected to read "mattior". I had always guessed that it was George Baresch who had done this - but perhaps it might have been Hájek instead? Something to think about, anyway...

Edward Kelley and the Blair Witch Project...?

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For those of you who like the whole John Dee / Edward Kelley mythology schtick, I thought I'd mention that the Wikipedia entry on Edward Kelley points to a silly link with the Blair Witch Project. There, the witch is named "Elly Kedward", a spoonerism of his name: there's even a fake site for her (all part of the guerilla marketing, I guess).

Not very substantial, but it amused me, nonetheless. :-)

David Icke and the Voynich...

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I suppose it was glumly inevitable that the world's favourite anti-reptilian ex-goalkeeper David Icke would have included the Voynich Manuscript in "The Biggest Secret" (1999), now freely downloadable from scribd.com. Which is nice.

Much as you'd expect, many of the strands of the mainstream story get picked out and respun into a distinctly paranoia-flavoured fabric. For example, "John Dee was the Queen’s astrologer, a Rosicrucian Grand Master, a black magician, and a secret agent for the new intelligence network": he and Edward Kelley were talking not with angels but "reptilians". Oh, and Rudolph II was "of the reptilian Habsburg dynasty, another occultist."

Hmmm: I feel another semantically irregular verb coming on:-

• I am a visionary, a singularity within a vortex of eternal chaos
• You (singular) are badly compromised, but might be redeemed if you buy my book
• He/she is reptilian. Oh, and did I mention he/she is reptilian?
• We are freedom fighters against the infinite evil of The Brotherhood
• You (plural) are corrupted by prolonged exposure to reptilian media lies and hype
• They are part of a reptilian dynasty/network/conspiracy that spans the ages

Once you get the hang of how it works, Icke's stuff almost writes itself. What is he going to say about the Voynich Manuscript? Easy: just take the most superficial reading you can (Newbold's snail, etc), reptilify it, and summarize it thus:-

"This manuscript is just one example of the level of knowledge the
Brotherhood were working with hundreds of years ago while their other wing, the
religions, were keeping the masses in the most basic ignorance."

And now someone has posted on David Icke's online forum, claiming to be a senior member of the Illuminati (though to me it reads more like a publisher PR hack having a bit of fun at Icke-fandom's expense):-

"Let me just say to you that we tried twice in the past to show a coded glimpse of the nature of our great secret. You have probably heard of the most mysterious manuscript in the world – the Voynich manuscript. No one has ever been able to decode it. The men who wrote it were members of the Illuminati and they were captured and killed before they could release the key to decoding it. The Arthurian legends were our other main attempt to enter popular consciousness and reveal our true purpose. They succeeded to an extent, but our enemies were able to confuse our message by releasing alternative versions of the legends. So, now we are trying again."

Yeah, rrrright.

Bizarrely, the title of the (probably as-yet-unfinished) book being puffed ("The Soul Camera") is the same name as an odd camera that has just been released in Japan by Sonaco, that apparently photographs your "aura" in some way. As always, the world is far stranger than conspiracy theorists think - but in a completely different way.

When hoaxes go bad...

Years ago, I was told that in Greece, gamblers who pull off a big coup are feted: there, making money for nothing is apparently seen as a kind of heroic alchemy, something to which everyone should aspire. And because hoaxes - stunts carried out not for art's sake, but to swindle - surely fall into this category just as much as many of the historical alchemists' "projections", it should be obvious why some Voynich researchers should link the swindler/alchemist Edward Kelley with the manuscript.

However, one good reason to be wary of Voynich hoax hypotheses is that, in the real world, the people (and the stories) behind hoaxes do tend to surface: as Shakespeare wrote, "but at the length truth will out". Tricky things tend to be collaborative, even if in only a loose way: I can say from my experience in the games industry that being a "lone gunman" on a high complexity project is a hard gig, like being an uomo universale with a spaceship to build. Anyway, where's the fun in conspiring on your own?

Regardless, all of this hoax-based free association was triggered by the article this month by Philip Mantle on the people behind the famous "Alien Autopsy" hoax. As you'd expect, all kinds of collaborative technical trickery was required to make it seem even remotely feasible: and the main technician behind the story (Cypriot-born video wizard Spyros Melaris) is now emerging to tell his story.

There's a longer transcript of the interview here: but if you simply have to know more, you'll probably be more interested in Spyros Melaris' book "ALIEN AUTOPSY: The True Story". It's a bit pricy (£37.50), comes with a DVD, though doesn't yet seem to be available: email AATrueStory@DIGInetUK.com for more details (allegedly). Confusingly, there's a (different) 2006 DVD out there with exactly the same name, presented by Eamonn Holmes: and you already know about the Ant & Dec "Alien Autopsy" film, so I'll skip past that too. Just so you know.

The punchline here is that, in the fullness of time, the only certain way to get participants in a big hoax to keep quiet is to kill them all, Hollywood stylee... and I don't really think that happened with the VMs. It also seems to me that Kelley gives the impression of having an enormous ego and a big mouth, particularly near the end of his life (he was a golden knight, after all), and if there was one iota of self-aggrandisement to be had out of his association with a strange manuscript, he would have done his best to extract it. But the record is silent.